阴阳作曲技法及其应用——民族器乐创作札记  

The Two Opposing Methods of Composition and Their Application ——The Reading Notes about the Creation of National Instrumental Music

作　　者：房晓敏[1] 

机构地区：[1]星海音乐学院作曲系,广东广州510500

出　　处：《星海音乐学院学报》2002年第2期39-42,共4页Journal of Xinghai Conservatory of Music

摘　　要：此文摘记了本人多年来从事民族器乐创作的要点和体会,并从“创作理念、作曲技法、实际应用”三方面来简述自己的创作思路。The article is an abstract of the writer's main points and experiences in his national instrumental music creation for many years. The writer also intends to make a brief introduction to his train of thoughts from the following three aspects; the creation ideas, the methods of composition and their practical application

关 键 词：太极节拍 阴阳节奏 三才调式 四象和声 五行音高 

分 类 号：J614[艺术—音乐]