品特戏剧中施暴者的身份建构  

Identity Construction of the Torturers in Pinter's Plays

作　　者：王娜[1] 

机构地区：[1]中南财经政法大学外国语学院

出　　处：《戏剧艺术》2017年第2期75-83,共9页Theatre Arts

基　　金：教育部人文社会科学研究基金青年项目<品特戏剧中的身份问题研究>(项目编号:14YJC752020)的阶段性研究成果

摘　　要：哈罗德·品特戏剧中充满着各种各样的暴力行为,这些暴力实施者也因此构成其笔下所刻画的重要人物类型之一。这些人物之所以会成为残酷无情的施暴者,主要原因是社会强权机构通过洗脑、监视、肉体惩罚等多种规训手段对其进行了强有力的改塑;但是在被建构的过程中,这些个体的顺从甚至配合也是不可忽视的重要因素。可以说,这些施暴者的身份是强权机构的有力改塑和受训者的被动配合共同作用的结果,藉此我们可以洞察个体和社会机构之间的复杂关系以及人性的弱点。Harold Pinter has portrayed torturers in some of his plays. The main cause for individuals to become cold-blooded torturers is that the social institutions have reconstructed their identity through various means such as brain-storming, surveillance and punishment. But what cannot be ignored is that the individuals＇ active cooperation and response also play a very important role. The torturers＇ identity is built up by external and internal forces. Through the discussion of this issue, we can form an in-depth understanding of an individuals＇ relationship with the social institutions and the roles they play in the social network.

关 键 词：品特戏剧 施暴者 身份建构 内外构合 

分 类 号：J80[艺术—戏剧戏曲]