谭献评蒋春霖“倚声家杜老”说辨析  

Analysis of Tan Xian's Comment that Jiang Chunlin was 'a Master Ci-Poet Equalling DuFu'

作　　者：佘璐[1] SHE Lu(The College of Literature and Journalism, Central South University, Changsha, Hunan 410083)

机构地区：[1]中南大学文学与新闻传播学院,湖南长沙410083

出　　处：《怀化学院学报》2017年第2期85-88,共4页Journal of Huaihua University

摘　　要：谭献的"倚声家杜老"说是当代蒋春霖研究的焦点问题之一,立足文体生态,蒋春霖尊崇词体本色,亦秉承"词祖乐府,与诗同源"的词学主张,将战事民情等宏大主题融入词的题材范围,有力证明了"词能证史"的观点。因此,在词体发展历程中,蒋春霖词律之精通,词风之多样,词境之阔大,词史之价值直能追步杜甫在诗史中的贡献和地位。Tan Xian＇s comment that Jiang Chun-lin was ＇ a Master of Ci-Poetry Equalling DuFu＇ is one of the focuses of contemporary Jiang Chunlin study.ln terms of stylistic feature, Jiang Chun follows characters of Ci-poetry and holds the belief that Ci-poetry is rooted in YueFu-poetry, and has the same origin as Poetry.The theme of Jiang Chunlin＇s poems includes wars and the suffering in ordinary people＇s life. which testified that Ci-poetry can record the history. Jiang Chunlin is proficient in the rhythms of Ci-poetry with various styles, splendid description as well as its value of historical references, which altogether mark him the position almost equal to Du Fu in the history of poetry.

关 键 词：蒋春霖 杜甫 倚声家杜老 词史 

分 类 号：I207[文学—中国文学]