叙事形式的精神承载——《风月梦》与《海上花列传》的文本探析  

Spiritual Inheritance and Construction in the Narrative Form——Analysis on both“Fengy YueMeng ”and“HaishangHuaLiezhuan”

作　　者：崔金巧 CUI Jin-qiao(School of Chinese Language And Literature ,Henan University, KaiFeng 475001,China)

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《六盘水师范学院学报》2017年第2期21-24,共4页Journal of Liupanshui Normal University

摘　　要：近代狭邪小说的思想审美倾向整体上经历了从溢美到溢恶的演进过程,而《风月梦》、《海上花列传》作为整个链条上两个孤立的近真文本便成为一种存在视点。两部作品在叙事场景之城市聚焦、叙事盲区之理念冲突、叙事立场之现代意识三个层面有着叙事形式上的汇通之处,藉以分析其在文学叙述想象与再现体式上的精神承载,进而为《风月梦》、《海上花列传》叙事文本在近代文学史影响过程中所耦合的文学语境和思想价值提供阐释的可能。The idea and aesthetic of the courtesan novel has experienced the process from being beatified to demonized on the whole, ＂FengyueMeng ＂and ＂HaishangHuaLiezhuan＂ have been the viewpoint due to the text feature approaching to the real .Both of them have much in common in narrative form, urban focus on narrative scenes, concept＇ conflict from narrative blind area, modern consciousness about narrative posi- tion ,which help to analyze the spiritual inheritance in literature imagination and text narrative. In modern lit- erature history, the narrative texts, ＂FengyueMeng value and interpretation of context from the above. ＂and ＂Haishang HuaLiezhuan＂, may provide ideological

关 键 词：《风月梦》 《海上花列传》 叙事 精神承载 

分 类 号：I247.5[文学—中国文学]