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作 者:王晓华[1]
机构地区:[1]深圳大学文学院
出 处:《青年学报》2017年第2期61-67,共7页Youth Research
摘 要:进入1960年代以后,许多西方艺术家开始告别宏大叙事,力图建构多元主义文化。正是在这样的语境中,鲍勃·迪伦走上乐坛。自出道之日起,他创作了大量堪称杰作的歌曲,表达了热爱差异、守护边缘、捍卫民间主体性的宝贵情怀,最终成为青年亚文化的代言人。走入他的言说、作品、行动所构成的时空长廊,我们可以领受青年亚文化的基本特征:既继承启蒙文化的精神底蕴,又否定宏大叙事中的专横逻辑;在叛逆、逸出、否定之际,创造平等对话的机缘。After the 1960s, many western artists began to bid farewell to the Grand Narratives, ano tried to create the multi-culture. Just in such context, Bob Dylan made his trip in the music world. From the day he started his career as an artist, he has composed and performed a large number of wonderful songs, which expressed the love of difference, marginalization and the subjectivity of folk. Finally, he became the spokesman of the youth sub-culture. Considering his speech, works and action, we may understand the basic feature of youth sub-culture : say no to the absolute logic of the Grand Narrative as well as inherit the spirit of Enlightenment, and try to create the opportunity of equal dialogue by means of rebellion, negation and transcendence.
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