戏曲的舞台看点凝练与再创作——以《西厢记》折子戏为例  

Refining and Re-creation of Operas' Stage Highlights——A Case Study of Excerpts in Xi Xiang Ji

作　　者：杨玉[1] 

机构地区：[1]中国传媒大学艺术研究院,北京100024

出　　处：《曲靖师范学院学报》2017年第2期30-34,共5页Journal of Qujing Normal University

摘　　要：舞台演出的偏好与案头剧本创作有一定的差异,观众的喜好在很大程度上决定了舞台演出的倾向。立足于舞台看点的戏曲作品更具持久的生命力,《西厢记》在明清舞台演出中,描绘绮丽艳情和表现热闹雅谑的折子戏最受欢迎。舞台再创作以脚色表演为核心,通过戏曲程式的凝练,为表演留出足够的空间。此外,一些游离于主线情节之外的边缘性情节,逐渐从全本演出中脱离出来,成为单独上演的折子戏剧目。The tendency of stage performance, unlike that of play writing, to a large extent, depends on the audience＇s preferences. Chinese traditional operas focused on the stage highlights bear a longer vitality.Among the stage performances of Xi Xiang Ji （ Romance of the Western Chamber） in Ming and Qing Dynasties, excerpts of lyrical parts and boisterous parts were most popular. Recreation of the opera stage takes the role of acting as the core and sets aside enough space for the show by refining the traditional opera formula. Furthermore, some marginal episodes are gradually separated from the whole opera and become separate excerpts.

关 键 词：戏曲 程式 舞台 西厢记 

分 类 号：J824[艺术—戏剧戏曲]