30年代现代主义诗歌的都市意象分析  

City Image Analysis for Modern Poem in 1930s

作　　者：金周详 

机构地区：[1]上海外国语大学国际文化交流学院,上海201620

出　　处：《黑龙江工业学院学报（综合版）》2017年第4期128-131,共4页Journal of Heilongjiang University of Technology(Comprehensive Edition)

摘　　要：30年代现代主义都市诗歌逐渐走向成熟,其中标志之一,就是诗歌的意象都市化。主要讨论汽车、咖啡座(咖啡)、舞厅系列三组意象。汽车具有财富和速度两个维度特征,分别体现了作家忧患意识和内心孤寂,茫然失措。舞厅系列意象的审丑化倾向改变传统诗学审美观也让都市成为与乡土中国并立审美对象。咖啡座意象频繁使用既有文人和其剪不断情缘因素,又与它和小资产阶级推崇小资情调不谋而合。Modern urban poetry has gradually matured in 1930s and one of the signs is the urbanization for images of poems. This article mainly discusses three series of images such as the automobile, cafe and dance hall. Automobile has two dimensions of characteristics in wealth and speed, which respectively reflects the writers＇ sense of crisis and inner loneliness, as well as the being out of the wits. The ugliness tendency of the dance hall series has changed traditional poetic aesthetics, but also makes the city to be a kind of aesthetic object consistent with the home village. While the cafe image has been frequently used, which both indicates the romance with scholar, but also coincides with the sentiment acclaimed by petty bourgeoisie.

关 键 词：现代主义 都市意象 汽车 舞厅 咖啡厅 

分 类 号：I206.6[文学—中国文学]