中国京剧脸谱元素与现代构成设计结合的图形探索  

Exploration on the Graphics Based on the Combination of the Facial Masks of Chinese Peking Opera and Modern Construction Design

作　　者：朱小红[1] 

机构地区：[1]南京审计大学金审学院教育与艺术学院,江苏南京210043

出　　处：《科教文汇》2017年第10期162-164,共3页Journal of Science and Education

摘　　要：将中国传统文化与西方现代设计相结合,已成为当代设计的发展趋势。而被称为"国剧"并成为时尚的中国京剧中的脸谱与作为现代设计基础的三大构成是作为中国传统文化与现代设计相结合的一个很好的内容和题材。在对传统京剧脸谱图形与构成方法进行创编再设计过程中,应该对西方现代构成设计抱着去粗取精、兼收并蓄的态度,同时吸收利用我国古代传统文化和传统技艺,结合西方现代设计中优秀的积极的元素,这样做既可以使新的艺术作品蕴含中国传统文化品质,又富有新的时代精神,给人们带来崭新的艺术感受与新的设计思维。The combination of Chinese traditional culture and modern Western design has become the development trend of contemporary design, and it has become increasingly required for today＇s globalization. The facial masks of Chinese Peking Opera, which is known as the ＂National Opera＂ and has become a fash- ion, together with the three components for modern design, is a perfect content and theme for combination of Chinese traditional culture and modern design. According to this paper, during the creation and redesign of graphics and composition method for traditional Peking Opera facial masks, the attitude of discarding the dross and selecting the essential as well as swallowing any- thing and everything should be taken towards the Western mod- ern composition design. At the same time, the ancient Chinese traditional culture and traditional art shall be absorbed and ap- plied while combining the excellent positive elements in Western modern design, hence making the new art works contain the quality of Chinese traditional culture and be full of the spirit of the new era, bringing brand-new artistic feeling and new design thinking to people.

关 键 词：中国京剧脸谱 现代设计 构成 形式美 传统技艺 

分 类 号：J524[艺术—艺术设计]