灰空间对中国古典园林空间塑造的影响  

The Influence of Grey Space on the Chinese Classical Garden Space

作　　者：徐放[1] 赵鸣[1] 刘悄然 

机构地区：[1]北京林业大学

出　　处：《建筑与文化》2017年第4期177-179,共3页Architecture & Culture

摘　　要：灰空间是介于人与自然、介于内部空间与外部空间之间的"第三域"。本文从灰空间的空间本质入手,分析了其"有顶缺少边界"的空间特点,以及"渗透、连接"的内涵与功能特点。它为人提供了适宜观赏的小气候,模糊了人与自然的边界,对园林中的自然与人造空间、内外部空间进行了尺度的调节,并促进了其空间感受的融合。因此,在风景园林设计应用中可以继承和发扬灰空间设计的智慧,将灰空间视为重要的连接者,而不是独立的个体。Grey space is neither interior space nor exterior space. It is the third space between them. By studying the role of grey space, the paper analyzes the space features of ＂roof with no wall＂ ,and the connotation or function of ＂penetration, connection＂. It provides for ornamental microclimate, blurs the boundary between man and nature, adjust the natural and man-made space in the garden, the scale of the internal and external space. And promote the integration of its space to experience. Therefore. the wisdom of the grey space design should be inherited and promoted in landscape design applications. In this way, gray space has become an important communication way between man and nature rather than an individual.

关 键 词：灰空间 中国古代园林 人与自然 交流 

分 类 号：TU986[建筑科学—城市规划与设计]