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作 者:李传江[1]
机构地区:[1]江苏师范大学连云港校区地域文化研究所,江苏连云港222006
出 处:《重庆师范大学学报(哲学社会科学版)》2017年第2期16-20,共5页Journal of Chongqing Normal University Edition of Social Siences
基 金:江苏省教育厅"青蓝工程"骨干教师资助项目(苏教师﹝2014﹞23号)
摘 要:曾燠两任两淮盐官,期间倡导亭园雅集,常与幕宾及四方名士观曲评剧为乐。题襟馆唱和、九峰园秋禊等都伴有观评戏曲活动,其幕府及友朋府邸的戏曲观演也属常事,王文治、彭兆荪、詹肇堂、吴嵩梁、吴锡麒、刘嗣绾、黄文旸、陆继辂等皆为其座上宾。而以曾氏为首的幕府成员对仲振奎《红楼梦传奇》的集中评点也正是清代中期戏曲理论趋于成熟的重要表现。Zengyu often advocate ting- yuan elegant ion during his twice served Liang- huai salt official with the curtain and the celebrity throughout the country, watching and commenting drama performance. Title lapel Museum singing, Jiufeng Park Autumn, and so on, is associated with the assessment of opera activities. His shogunate and friends' sites are also holding the drama performances. Wang Wenzhi, Peng Zhaosun, Zhan Zhaotang, Wu Songliang, Wu Xiqi, Liu Siyong, Huang Wenyang, Lujike, all of them are also his most trus- ted guests. Following the and so on are its guests. Zeng - yu shogunate member' s comments focus on the Zhong Zhenkui' s Dream of Red Mansions is an important manifestation of the drama theory in the middle period of the Qing Dynasty.
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