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机构地区:[1]怀化学院,湖南怀化418000
出 处:《设计艺术研究》2017年第2期12-18,共7页Design Research
基 金:2013年度国家哲学社会科学基金艺术学项目(13BG063);2016年度湖南省社会科学基金艺术学(美术类)西部项目(16YBX023)
摘 要:窗雕,在五溪流域各少数民族传统民居中作为重要的装饰装修纯手艺的表现手段,构筑象征、寓意、祈望传统的意匠特征。贵州镇远付家大院的窗雕,利用质朴的木材料以及恰当运用雕刻技艺进行工艺加工,"晕染"出建筑风格与艺术形式协调与统一的完美境界,有机地将宗教理念、民俗信仰、道德念、人生念和审美意识等附丽于其图形纹饰之中,传递出民族优秀传统文化与艺术的信息。对具有传承性、地域性、互渗性的"窗雕"建筑装饰装修文化艺术的研究,对传承和弘扬民族优秀文化意义深刻。Abstract: Window carving is an important expression way of a pure craftsmanship of the traditional houses decoration of the minorities who live in the five-river catchments, building design features, traditional symbol and moral desire. The window carving of the Guizhou Fujia Courtyard uses simple wooden material and proper carving skills to "bloom" a perfection stage of the harmony and unity between the carved window architectural style and art form, which organically attaches the religious concepts, folk beliefs, moral concept, life concept, and aesthetic consciousness to its carved window graphics, passing out information of the excellent Chinese traditional culture and art. The study on the culture and art of "window decoration" possessing the inheritance, regional and mutual permeability is of great significance to inherit and carry forward the excellent national culture.
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