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机构地区:[1]湖北大学马克思主义学院,湖北武汉430062
出 处:《湖北大学学报(哲学社会科学版)》2017年第3期84-90,共7页Journal of Hubei University(Philosophy and Social Science)
基 金:国家社会科学基金重点资助项目:14A K S001
摘 要:马克思从事诗歌创作时正值他深受康德、费希特理想主义影响时期,应有和现有的对立始终贯穿于诗篇之中。他抒发了爱情的纯洁与忠贞,赞美了燕妮的美丽与善良,却没有觉察到爱情也要天天和锅碗瓢盆打交道。他嫉恶如仇,猛烈地批判了德国社会,对弱势群体给予深切的同情,但往往是感情宣泄多于理性思考,现象描述多于本质反思。他激情满怀,斗志昂扬,对未来充满憧憬和向往,表达了为人类谋幸福、开创未来的决心和信心,但究竟什么是人间正道,并没有一个明确而清晰的答案。他不满意乃至于憎恶现实,但在现实中又无法超越现实,只好在诗歌中,在想象中,在理想中超越现实。理想主义成了青年马克思诗歌创作中的主旋律。K.Marx was deeply influenced by I.Kant and J.G.Fichte’s idealism when he was engaged in poetry creation,which resulted in the opposition between what was deserved and what was available in his poetry.He expressed the purity and faithfulness of love and praised F.V.Yan Ni’s beauty and kindness,while he did not realize that love would not exist without pots and pans.He hated injustice like poison and criticized Germany society fiercely.Meanwhile,he also provided deep sympathy towards vulnerable groups.While in his poetry,he preferred to express emotional catharsis rather than rational thinking,to phenomenon description rather than essential reflection.He was full of passion,high morale and hope,and was long for the future.He also expressed his determination and confidence in seeking happiness and creating future for human beings.However,he did not have a clear answer about what was right on earth.He was dissatisfied with reality,but he could not transcend reality.Therefore,the only way that he could transcend reality was through his poetry and imagination.As a result,idealism had become the main melody in Marx’s poetry.
分 类 号:A811.4[哲学宗教—马克思主义哲学]
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