秩序与自由——歌德《浮士德》之《女巫厨房》诠释  

Order and Freedom——An Interpretation of “Witch's Kitchen” in Goethe's Faust

作　　者：孔婧倩 KONG Jing-qian(Department of German Language , Fudan University, Shanghai 200433, Chin)

机构地区：[1]复旦大学德语语言文学系,上海200433

出　　处：《同济大学学报（社会科学版）》2017年第2期1-9,共9页Journal of Tongji University:Social Science Edition

基　　金：国家社科基金重大项目"歌德及其作品汉译研究"(项目编号:14ZDB091)之子课题"浮士德专题研究"的阶段性研究成果

摘　　要：《女巫厨房》的主题不仅是返老还春,而且也是批判人本主义的综合性主题,其中包括时间失效、亵渎神性、否定自然、摧毁秩序、追求自由等。结构上,《女巫厨房》与《天堂序曲》构成对立关系;引发格雷琴戏剧的开启;同时与《浮士德》第二部有着内在关联的互文性。由此可见《女巫厨房》在《浮士德》中的主题性和结构性上的重要地位。Thematically, “Witch’s Ki tchen” is not merely about the regaining of youth; it also explores a synthesis of themes on the critique of humanism, namely, the invalidity of time, blasphemy, negation of nature, destruction of order and pursuit of freedom. Structural ly, “Wi tch’s Kitchen” corresponds to “Prologue in Heaven”,leads to the drama of Gretchen, and has intertextual connections with Faust Ⅱ. Hence, “Witch’ s Kitchen” is both thematically and s tructurally important in Faust.

关 键 词：歌德 浮士德 女巫厨房 人本主义批判 

分 类 号：I516.072[文学—其他各国文学]