遗民画家查士标的艺术风格述论  

Causes of the Formation of Zha Shibiao's Artistic Style

作　　者：李超峰[1] LI Cao-feng(Chaohu College, Chaohu Anhui 238000, Chin)

机构地区：[1]巢湖学院艺术学院,安徽巢湖238000

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2017年第4期156-158,共3页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：教育部人文社会科学研究项目:明清时期皖南诸画派画学思想研究(12YJA760012)

摘　　要：明末清初朝代更迭,社会板荡,画学思潮尤为活跃。作为明季遗民,新安画派主将查士标坚守遗民立场,固守文人气节不媚权贵。其艺术风格嬗变轨迹明晰,从遍师古法到穷师造化,寝食于古人的风骨和神韵中,徜徉于山川云海之间,以天地为师,构筑起风神懒散,气韵荒寒的艺术高境。借笔墨来传达自我之精神,抒写自我之品格。The dynasty supersession and the social turmoil contributed to emergence of many active artistic thoughts in the late Ming and early Qing Dynasties. As the adherent of Ming dynasty, Zha Shibiao, the most important representative of the XinAn painting school, maintained the moral integrity of scholars and stuck to the political stand of the adherent of Ming dynasty by showing contempt for the rich and the political authority of the Qing Dynasty. It is clear that his artistic style developed from inheriting the tradition to imi- tating the nature. Immersing in the ancient culture and wandering in the beautiful landscape, Zha Shibiao formed his own style, which is famous for its rigorous and dynamic composition, its elegant artistic conception, and its high moral spirit. His painting became the efficient tool to convey his grand moral spirit and his unique artistic thoughts.

关 键 词：查士标 艺术风格 成因 师法古人 

分 类 号：J204[艺术—美术]