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作 者:杨晓霭[1,2] YANG Xiao-ai(College of Literature, Lanzhou University of Technology, Lanzhou, Gansu, 730050, PR)
机构地区:[1]兰州理工大学文学院,甘肃兰州730050 [2]西北师范大学文学院,甘肃兰州730070
出 处:《西北师大学报(社会科学版)》2017年第3期59-67,共9页Journal of Northwest Normal University(Social Sciences)
基 金:国家社会科学基金项目"宋代声诗研究"(03BZW036)
摘 要:《词谱》录苏轼词,注明"又一体"者有《渔歌子》《点绛唇》《少年游》《西江月》《越江吟》《行香子》(二阕)《青玉案》《满江红》《醉蓬莱》《念奴娇》(二阕)《哨遍》(二阕)《戚氏》,共12调15阕。所谓"又一体"的标准,《四库总目提要》总结为:"皆取唐宋旧词,以调名相同者互校,以求其句法字数;以句法字数相同者互校,以求其平仄;其句法字数有异同者,则据而注为又一体。"在音调尽失的情况下,"以句法字数"比较而得"又一体",从字数、平仄、叶韵等变化对"词"之歌唱实践作了描述。苏轼"又一体",可谓是他因歌唱需要而注意乐曲与声词配合的表现。理解这一点,对澄清苏轼"以诗为词"之讥有重要意义,对进一步理解与研究词体特性亦不无裨益。According to the record of Ci Pu, there were Yu Ge Xi Jiang standard Yue, and so on, a total of 12 rhythms and 16 Ci, Zi, Dian Jiang Chun, Shao Nian You, which were wrote by peot Su Shi. The of "You Yi Ti" had been summarized in The Abstract Contents of Si Ku as "all take the old Tang and Song Ci, compare those with same rhythm to research the form and number of character, were compare those would same number to study the rhythm. If the form and number of character were different, it would be called as You Yi Ti". In the rhythm lost situation, the "You Yi Ti" described the singing of Ci from the changes of number, rhythm and other different aspects. The "You YI Ti" of Su Shi was an expression that rhythm and lyrics coordinate due to the singing requirements. Understanding this has an important significant to clarify the Su Shi's sarcasm to "use Poem as Ci', and it has great help and much benefits for further research and understanding the characteristics of Ci.
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