端午艺术符号的传承应用研究  

Inheritance and application of the art-loaded symbols of the Dragon Boat Festival

作　　者：胡继艳[1] 杜裕民[2] 

机构地区：[1]滁州学院美术与设计学院,安徽滁州239000 [2]滁州城市职业学院,安徽滁州239000

出　　处：《云南民族大学学报（哲学社会科学版）》2017年第3期38-44,共7页Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)

基　　金：安徽省人文社会科学重点项目"基于文化生态视角的安徽省传统手工艺类非物质文化遗产传承;创新研究"(SK2016A0663)阶段成果

摘　　要：作为中国的传统节日,端午节蕴含着丰富的文化内涵,端午艺术符号是端午文化精神的外在表现,如系五色缕、穿五毒肚兜、悬艾叶、挂菖蒲、贴门符等,这些符号凝聚着传统的民俗观念,潜隐着丰富的文化象征,蕴含着崇高的审美理想,表达了人们祈求天人合一、求真崇善、辟瘟除害的美好愿望。对端午艺术符号传承应用的客观基础、遵循原则等加以研究,旨在提炼核心价值,顺应时代发展,用活文化遗产,丰富传播形式,使其在"对接"现代节日生活的过程中,推进传统文化的传承与创新。As a traditional Chinese festival, the Dragon Boat Festival contains rich cultural connotations. Its art -loaded symbols are the external manifestation of the spirit of this festival, for example, fastening colorful threads, wearing five drug stomachers, banging moxa leaves, hanging calamus and sticking door characters and figures. All these symbols embody rich folklore concepts and cultural implications, which reflect lofty aesthetic ideals and express people＇s good wishes to eliminate evils and plagues, to pray for the harmony between man and nature and to seek truth and worship kindness. The study of the origin and principles of the inheritance and application of the art - loaded symbols of the Dragon Boat Festival aims at extracting the core values to adapt to the development of the times. The correct application of this cultural heritage through various communicative strategies will help integrate it with modern festivals and promote the inheritance and innovation of our traditional cultures .

关 键 词：端午文化 艺术符号 传承应用 

分 类 号：G112[文化科学]