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作 者:郑桢[1]
机构地区:[1]闽江学院美术学院
出 处:《雕塑》2017年第2期44-45,共2页Sculpture
摘 要:北宋时期文化发展到一个高峰,是中国古代文化继汉、唐之后的又一个高峰。这个时期的陵墓雕像在中国雕塑发展史中,也占有很重要的地位。北宋陵墓雕像在继承唐代陵墓雕像雄浑洗练的基础上,还吸收了佛教雕塑和绘画的特点,形成了自己独特的风格,达到了很高的艺术水准。本文通过对不同时期雕像的特征,对北宋陵墓雕像进行了艺术风格的分析,同时论述了本时期陵墓雕像艺术特征及其在中国古代雕像发展历史中的承上启下作用。在此基础上,本文还将探讨当时世俗生活以及儒释道三教合一对陵墓雕像艺术的影响。The Chinese ancient culture development in Northern Song dynasty got to a peak. It was another peak after Han and Tang dynasty. The tomb sculptures in this period played an important role in the development history of Chinese sculptures. On the basis of the forceful and succinct tomb sculptures in Tang dynasty, the tomb sculptures in Northern Song dynasty not only absorbed the characteristics of Buddhism sculptures and drawings, but also formed its own unique style, achieved a very high art standard. This paper analyzed the artistic style of tomb sculptures in Northern Song dynasty based on the sculpture characteristics in different period, meanwhile discussed its effect of connecting link in the history of Chinese sculpture development. Besides, this paper also talked about the influence of the mundane life in that time and the combination of three religions, Confucianism Buddhism and Daoism on tomb sculpture arts.
分 类 号:J305[艺术—美术] K878.8[历史地理—考古学及博物馆学]
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