康德崇高论的审美特性  

The Aesthetic Characteristic of Kant's Analysis of Erhaben

作　　者：陈嫚[1] CHEN Man(College of Liberal Ar ts , Guangxi University, Nanning Guangxi 530004, Chin)

机构地区：[1]广西大学文学院,南宁530004

出　　处：《成都理工大学学报（社会科学版）》2017年第3期46-49,共4页Journal of Chengdu University of Technology:Social Sciences

摘　　要：继朗吉弩斯之后,康德在《判断力批判》中对"崇高"这一美学范畴进行了系统而完善的论述。在康德看来,崇高建立在对象的无形式之中,其审美主体最终指向心灵,并且它在获得"美"的愉悦之前会经历痛感。从审美对象、审美主体、审美过程三个视角对康德崇高论的审美特性进行解读。Following with longinus, Kant expounded lofty ,an aesthetic category ,in his “Critique of Judgement” systematacially. In his view, loft is based on object infinity, it？s subject is spirit and it will experience pain before obtaining aesthetic pleasure. This paper attempts to interpret the aesthetic characteristic of Kant？s analysis of Erhaben from three points ：aesthetic object, aesthetic subject, aesthetic process.

关 键 词：康德 崇高 无限性 主体理性 痛感 

分 类 号：I106.5[文学—世界文学]