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作 者:谢丽[1]
出 处:《河南大学学报(社会科学版)》2017年第3期112-119,共8页Journal of Henan University(Social Sciences)
基 金:国家社会科学基金重大招标项目"期刊史料与20世纪中国文学史"(11&ZD110)阶段性成果;国家社会科学基金项目"民国报纸副刊与现代作家佚文发掘整理研究"(15BZW155)阶段性成果
摘 要:《小说月报》在1921年改版前是民国初年旧体文学发表的一大阵地。将1910-1920年间的《小说月报》作为考察对象,在把握恽铁樵与王蕴章两位主编编辑理念的基础上,对"文苑""最录"栏目刊登的词作进行梳理及定量分析,可以发现在现代传播语境下,晚近词人们围绕《小说月报》实现了一次聚集,他们利用并开拓期刊提供的文化空间,表现出自觉的传播意识,为保存传统词体的鲜活状态做出努力。同时期刊的商业本质促使词作者们在传统救赎与商业消费间寻找平衡,部分词人开始有意识地突破传统书写,词作的商业意味更加浓厚。Novel Monthly was a big position for the traditional literature publishing in the early republic before it was revised in 1920. With "Novel Monthly" published in 1910--1920 as the study object and on the basis of deep understanding of the two chief editors Yun Tiejiao and Wang Yunzhang, this paper had a detailed quantitative analysis about the Ci creations published in the columns of "Beautiful Literature World "and "The Includings", and we find that in the context of modern communications the Ci poets in the early republic had realized a focus on the Ci creation and its spreading with Novel Monthly as the publishing position, which shows their consciously spreading sense and a great effort for preserving the traditional Ci style. At the same time, the commercial nature of the Journal promotes the Ci poets to find a balance between the traditional redemption and commercial consumption, so some Ci poets began to consciously break through the traditional writing, which makes the Ci works have thicker and stronger commercial sense.
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