屈原图像在中国古代的传播与接受  

Dissemination and Acceptance of Qu Yuan's Picture in Chinese Ancient History

作　　者：周建忠[1,2] 何继恒[1,2] 

机构地区：[1]苏州大学文学院 [2]南通大学楚辞研究中心

出　　处：《中州学刊》2017年第4期138-143,共6页Academic Journal of Zhongzhou

基　　金：国家社科基金重大项目"东亚楚辞文献的发掘;整理与研究"(13&ZD112);南通大学人文社会科学研究一般项目"萧云从<离骚图>研究"(16w01)

摘　　要：屈原图像在中国古代主要通过石刻、纸绢和版刻三种媒介进行传播,艺苑点评、题画诗文和仿写临摹是人们接受屈原图像的三种基本方式。在绘画形式变化及社会风尚变迁的影响下,屈原图像的受众逐渐由皇室贵族、文人士大夫阶层扩大到市井百姓阶层。屈原图像在中国古代的传播,既给中国绘画史添加了浓墨重彩的一笔,又对屈原及其楚辞起到了积极的推广作用。In ancient China, Qu Yuan＇s image was spread through the vehicles of lithoglyph, silk and paper, and wood carving,and accepted by the public through the means of art and literary reviews, poem on paintings, and imitation. Following the changes ofpainting forms and social morals, Qu Yuan＇s portrait was accepted by more people, from emperors, aristocrats, scholars to ordinarypeople. Not only did the transmission of Qu Yuan＇s image prosper in Chinese painting history, it but helped to promote Qu Yuan andhis Chu Ci.

关 键 词：屈原图像 中国古代 传播 接受 

分 类 号：I207[文学—中国文学]