论南朝诗歌的写“影”风气  

The Phenomenon of Shadow Description in Poetry in the Southern Dynasties

作　　者：周喜存[1] 刘燕歌[2] ZHOU Xicun LIU Yange(School of Chinese Literature, Shaanxi Normal University, Xi＇an, Shaanxi 710119 School of Humanities and Social Sciences, Xi＇an University of Posts ＆ Telecommunications, Xi＇an, Shaanxi 710121)

机构地区：[1]陕西师范大学文学院,陕西西安710119 [2]西安邮电大学人文社科学院,陕西西安710121

出　　处：《中国文学研究》2017年第2期42-45,119,共5页Research of Chinese Literature

摘　　要：中国古典诗歌中描写自然物象之"影"的风气兴起于南朝时期。晋宋之际,诗歌中已零星出现影意象,之后的永明诗人真正开启了刻意绘影的先声,迨及梁代,经简文帝萧纲、湘东王萧绎的倡首,写影蔚然鳞集,形成了写景而嗜影的浓厚风气。从刻画影的形貌和捕捉影的动态两方面可以看出齐梁诗人在写影艺术上灵敏的审美感悟力及精巧的语言表现力,其中尤其值得关注的是萧纲诗歌在写影上的创新性手法。写"影"风气的背后是佛教的影响和佛典语言的渗透,采撷影像入诗,是佛典语言中的"影"喻表达在诗歌中的映现。The phenomenon of shadow description in Chinese classical poems has emerged in the Southern Dynasties. In Jin and Song Dynasties, there have been sporadic shadow description in poetry, after that, the poets really opened the prelude of shadow de- scription in Yongming Dynasty, and then in Liang Dynasty, the emperor Xiao Gang and Xiao Yi were the advoeaters of shadow de- scription, poems were full of shadow description. Therefore,forming a strong atmosphere in describing the shadow of scenery. From the two aspects of describing the characterization and dynamic condition of shadow, we can see the aesthetic perception and exquisite lan- guage performance in poems in Qi and Liang Dynasties, it particularly noteworthy is the innovative approach of Xiao Gang＇s poetry. Behind the phenomenon is the influence of the Buddhism and Buddhist scriptures language, it is the shadow metaphor in the Buddhist scriptures language that reflects in the poems.

关 键 词：南朝诗歌 影描写 风气形成 艺术手法 原因 

分 类 号：I207.22[文学—中国文学]