笔画的成熟与汉字的形体演进——以走马楼三国吴简为中心的讨论  

The Mature of Stroke and the Evolution of Chinese Characters

作　　者：张翔[1] 

机构地区：[1]中国人民大学文学院,北京100872

出　　处：《长沙大学学报》2017年第1期91-97,共7页Journal of Changsha University

摘　　要：笔画是现代汉字最小的组成单位。在由古文字向今文字演变的过程中,笔画不断形成、发展。而笔画的形成与发展,对汉字的形体演进有十分重要的作用,具体表现在三个方面:一是发展成熟的笔画形体,成为今文字的一种非常重要的去同别异的手段;二是成熟的笔画间位置关系,成为汉字区别形体的重要手段;三是成熟的笔画有其书写规律,利用这种书写规律,可以解释在今文字阶段一些汉字形体演变滞后的原因。Stroke is the smallest unit of modern Chinese characters. In the process of the evolution from the ancient writing to the pres-ent ,the strokes are constantly formed and developed. In the formation and development of Chinese characters, the evolution of strokes had a very important role. This is manifested in three aspects. First, the shape of mature strokes is a very important way to discriminate the differences. Second, the relationship among the location of the mature strokes, is an important means of differentiating Chinese characters. Third, a mature stroke has its writing ru le s, which can explain why some characters in this stage evolve lagging behind.

关 键 词：笔画 今文字 三国吴简 汉字形体 

分 类 号：H024[语言文字—语言学]