神性书写与迟子建小说的散文化倾向  

Divinity Writing and the Prose-style Tendency in the Novels of Chi Zi-jian

作　　者：刘艳[1] 

机构地区：[1]中国社会科学院文学研究所,北京100732

出　　处：《华中科技大学学报（社会科学版）》2017年第2期12-18,共7页Journal of Huazhong University of Science and Technology(Social Science Edition)

摘　　要：中国现当代小说中的"散文化"因素或者倾向,不惟迟子建所专有,从现代白话小说伊始的鲁迅、郁达夫到沈从文、废名等人,尤其是萧红就更有典型性;对百年汉语新文学,小说的"散文化"几乎可以做连续性和谱系性的整体研究。迟子建小说中的宗教情怀、神性因素虽已为很多研究者注意,但鲜有人能够从神性书写的角度,对迟子建小说的散文化倾向做出细致的梳理分析。本文从神性书写中的风景、人性与"抒情传统"、历史与现实中拯救小说的日常生活美学、作为素材和散文化建构要素的神性书写等三个方面,具体阐述了迟子建神性书写对其小说散文化倾向的关键性影响。'Prose-style'factors or tendencies in Chinese modern and contemporary novels are not specifically held by Chi Zi-jian because they can be found in the initial modern novels of Lu Xun,Yu Da-fu,Shen Cong-wen,Fei Ming and other writers,among whom Xiao Hong is a typical example.For the Chinese modern literature with a history more than a hundred years,prose-style novels can almost be studied successively and genealogically.Although the religious and divine factors in Chi's novels have been noticed by many researchers,it is rare to see any detailed analysis on her prose-style tendency from the perspective of divinity writing.The elaboration has three points.The first is the lyricism of human nature which is rich in the animistic landscape description and divinity writing.The second is the history writing from the tiny clues along the literary road and the revival of the aesthetic and complex value in the daily life.The third is the transformation from the plot and story to the lyric material for the divinity writing.In this way,the thesis expounds how Chi's divinity writing crucially affects his prose-style tendency.

关 键 词：神性书写 风景描写 诗性 抒情性 散文化倾向 

分 类 号：I207.4[文学—中国文学]