日照黑陶工艺与艺术化生存  

Rizhao Black Pottery Craft and Artistic Existence

作　　者：贺晓[1] 

机构地区：[1]济南大学美术学院,济南250022

出　　处：《艺术与设计（理论版）》2017年第5期124-126,共3页Art and Design

摘　　要：当代纷繁复杂艺术形式的冲击,带给传统工艺的影响愈发显著,随着诸多学者对民俗艺术及传统工艺的重视研究,近年手工工艺之美逐渐被人们所重视。日照黑陶工艺作为一种民俗艺术,是千百年来制陶人集体的智慧结晶,体现了深厚的文化内涵。但当下因使用方式单一、大众审美多元等问题使发展停滞不前,所以审视黑陶的艺术化生存条件、实行设计转型迫在眉睫。这对于将传统工艺回归实用用途,走进日常生活,创造生活之美具有重要意义。The influence of contemporary art forms has brought about the influence of traditional crafts. With many scholars＇ emphasis on folk art and traditional craft, the beauty of handmade craft has been paid more and more attention in recent years. Rizhao black pottery as a folk art, thousands of years of Taoist collective wisdom crystallization, embodies the profound cultural connotation. But the current use of a single way, the public aesthetic and other issues so that the development of stagnation, so look at the art of black pottery living conditions, the implementation of design transformation is imminent. This is the traditional process of return to practical use, into the daily life, to create the beauty of life is of great significance.

关 键 词：日照黑陶 手工工艺 产品转型 日用之美 

分 类 号：J527[艺术—艺术设计]