罗赞诺夫对陀思妥耶夫斯基的继承与超越  

Rozanov's Inheritance and Transcendence of Dostoevsky

作　　者：吴琼[1] 

机构地区：[1]黑龙江大学俄语学院

出　　处：《俄罗斯文艺》2017年第2期66-75,共10页Russian Literature & Arts

基　　金：国家社会科学基金项目<"新宗教意识"视野下的罗赞诺夫文学批评研究>(15CWW015)的阶段性成果;黑龙江省社会科学基金项目<罗赞诺夫的文学批评思想及诗学特征研究>(13C039);黑龙江大学青年项目<罗赞诺夫的文学批评研究>(QW201201)的资助

摘　　要：罗赞诺夫对陀思妥耶夫斯基创作的继承不可否认,但其在继承基础上的创新性更具特色。目前学界大多着眼于承继而忽略创新,这种单一视角势必难以挖掘罗氏文体的独特魅力。本文通过对二者的异同进行对比研究,试图解读罗氏创作中对"非文学的文学"形式的探索,对新文体中复调的建构,断续思想的特点以及作者形象与狂欢化。Rozanov＇ s inheritance of Dostoevsky cannot be denied, but his innovation on the basis of inheritance is more special. At present, however, the academic circle lays more emphasis on his inheritance rather than on his innovation. Inevitably, such a perspective alone can＇ t dig out the unique charm of Rozanov＇ s style. This paper aims to compare the similarities and differences between them, and to interpret his exploration of the ＂literature of non-literature＂ , his construction of polyphony in the new style, the features of interrupted thoughts, and the image of the author and carnivalization.

关 键 词：罗赞诺夫 陀思妥耶夫斯基 新文体“三部曲” 

分 类 号：I512.06[文学—其他各国文学]