“新历史主义”与中国革命历史题材纪录片创作  

“New historicism” and document creation that have themes about China's revolutionary and historical themes

作　　者：郭艳民[1] 白肖寒 

机构地区：[1]中国传媒大学电视学院,北京100024

出　　处：《解放军艺术学院学报》2017年第1期90-94,共5页Journal of PLA Art Academy

摘　　要："新历史主义"主张立足于历史的语境,重视读者与作者的感情介入,对历史文本进行整体审视和综合解读,这种观点对中国革命历史题材纪录片创作具有指导意义。本文以纪录片《震撼世界的长征》为例进行具体分析,从历史观更新、文献资料发掘、解读历史方式、历史的现实观照四个方面论述了"新历史主义"理论在中国革命历史题材纪录片创作中的应用,为同类题材纪录片的创作提供启迪。＂New historicism＂ claimed to step into the historical context. It focuses on the feeling intervene between writers and readers, and observes and interprets historical texts from a general and comprehensive point of view, which provided guidance to the creation of documentary films with themes of Chinese revolutionary history. This article uses the documentary The Long March Shocking the World as an example to analyze and show how ＂new historicism＂ theories have been applied to Chinese revolutionary and historical documentaries from the four perspectives of renewing conceptions of history, digging out among literature, interpreting history, and examining history at present days. It is hoped that the article can provide some inspirations for the creation of documentaries with the same themes.

关 键 词：新历史主义 革命历史题材纪录片 《震撼世界的长征》 纪录片创作 

分 类 号：J905[艺术—电影电视艺术]