影视经典的歌剧表达方式——原创歌剧《冰山上的来客》的艺术建构  

On Ways of the Expression of the Classic Opera of Film and Television——The Artistic Construction of the Original Opera "Visitors on the Iceberg"

作　　者：杨凡[1] 

机构地区：[1]福建师范大学音乐学院,福建福州350007

出　　处：《绥化学院学报》2017年第5期105-108,共4页Journal of Suihua University

摘　　要：《冰山上的来客》电影文本与歌剧文本同样塑造了经典,影像与音乐的载体差异让两种艺术形式在叙事时间和叙事空间上表现出了明显的不同,而歌剧文本对电影文本的借鉴,又让音乐在营造叙事时空中呈现出了更多的现代气息,这也丰富了《冰山上的来客》这部"未完成文本"的艺术表现形式。The film script and the opera text of ＂The Guest of the Iceberg＂ both shape the classic. The difference between the cartier of the image and the music of the two forms of art show a significant difference in the narrative time and narrative space, and the reference of opera text from the film text let the music in the narrative time and space to show a more modem atmosphere, which also enriched the ＂iceberg visitors＂ this ＂unfinished text＂ art form.

关 键 词：电影 歌剧 影像 音乐 叙事时间 叙事空间 

分 类 号：I207.33[文学—中国文学]