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作 者:李蓉[1]
出 处:《广州广播电视大学学报》2017年第2期62-68,共7页Journal of Guangzhou Open University
摘 要:中晚唐张为的《诗人主客图》是唐朝重要的文学理论文献,开创了构建中国诗歌流派的先河,以其独特的形式对后世影响深远,然而长期以来,因其与后世所公认的人物诗坛影响力和诗歌风格特征不同而受到诟病。其实张为选人入派有他的标准和理由,通过对六主的分析也能从某种角度还原当时时代的诗坛风貌和大众的审美接受倾向,而且此图对诗歌的理论发展和诗派的文学价值也是影响深远的。Rating of Poets was written by Zhang Wei, who lived in mid-and late-Tang Dynasty. It pioneered to typify Chinese poetry, and its argumentation was also unique, thus it is widely regarded as an important reference to Tang literature, and exerts profound impact. However, Zhang's list deviated from what is later generally recognized in terms of a poet's influential power and stylistic characteristics so that he was blown in the long time. The present study endeavors to analyze motivations underlying Zhang's evaluation of poets, and finds that his six-mastermind framework depicted to some extent both the poetic profile and the crowd's aesthetic trend at his time. The study concludes that Zhang's Rating of Poets plays an important role in promoting development of poetic literature and theory.
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