十六国佚失辞赋考论  

A Study on the Lost Poetic Essays during the Sixteen Kingdoms

作　　者：周梦梦 高人雄[1] 

机构地区：[1]西北民族大学文学院,甘肃兰州730030

出　　处：《中央民族大学学报（哲学社会科学版）》2017年第3期132-138,共7页Journal of Minzu University of China(Philosophy and Social Sciences Edition)

基　　金：高人雄国家社科基金项目"东西文化交流视野下的先唐西域文学研究"(项目编号:11BZW128)的相关成果

摘　　要：十六国赋是社会现实的产物,也是赋史不可或缺的一环,因而值得深入研究。据学界考证及补充考证,十六国赋目前存有篇名,而不见作品的亡佚赋作总计26篇,涉及作家15人,能确定其有赋作但篇名及赋作均亡佚的作家有5人。十六国赋具有注重政治功用、注重抒情达意、注重锻炼辞采等创作倾向。表现风格方面或歌功与美刺并用,或托物以言志,同时杂糅老庄思想的虚无之气,因而可知十六国赋在继承魏晋赋的基础上又形成了独特的地域民族特色。Poetic essays of the Sixteen Kingdoms, as the products of social reality and an integral part of poetic history, are worthy of further study. According to the academic researches and supplementary researches, 26 poetic essays involving 15 authors only preserved titles and 5 authentic authors lost the entire poetic essays. Poetic essays created in the Sixteen Kingdoms period had the tendency of attaching importance to political function, emotional expression, and refined wording. Their writing style reflected a combination of praises and satires, expressing ambition and emotion through things, and merging the thought of nothingness of Lao Zi and Chuang - tzu at the same time. As a result, poetic essays created during the Sixteen Kingdoms formed a unique geographical and ethnic characteristic by inheriting the characteristics of the Wei and Jin Dynasties.

关 键 词：十六国 辞赋 创作倾向 表现风格 

分 类 号：I207.9[文学—中国文学]