朱大枬新诗观念探究——以佚作《读〈蕙的风〉》《诗的意境》为中心  

A Study on Modern New Poetry Concept of Danan Zhu:Based on the Lost Articles Reading ‘Hui De Feng’ and Poetry-Conception

作　　者：李朝平[1,2] 周长慧[1] 

机构地区：[1]重庆三峡学院文学院,重庆404020 [2]华东师范大学中文系,上海200241

出　　处：《重庆三峡学院学报》2017年第3期50-59,共10页Journal of Chongqing Three Gorges University

基　　金：重庆市教委人文社会科学项目"渝籍新月派诗人朱大枬作品辑佚及特质研究"(14SKL09)阶段性成果

摘　　要：1920年代初汪静之《蕙的风》曾引发一场著名的文艺论战,朱大枬《读〈蕙的风〉》亦参与其间,却长期被遗忘。文章在还原历史现场、钩沉佚文的同时,以《读〈蕙的风〉》和《诗的意境》为中心,重点探究了朱大枬的新诗观念。其本位主义文学立场、古典与现代交融的新诗本质观、有机谐和的美学观与诗性语言观以及主张新诗小说化、戏剧化的技法论自成体系、颇具特色,是对新诗理论的重要补充。Hui De Feng written by Jingzhi Wang in 1920's triggered a firestorm artistic debate. Reading ‘Hui De Feng' written by Danan Zhu was involved in the debate, but it was long forgotten.This article focuses on Zhu's modern new poetry concept based on the lost articles Reading ‘Hui De Feng' and Poetry-conception. At the same time, it restored historical scenes and collected lost material. Zhu's ideas of literature theories are important supplement to the modern new poetry theory, such as selfish departmentalism literature standpoint, the modern new poetry essence of blending the classical and the modern, harmonious aesthetic point of view, poetic quality language view, and his equal proposals of novelistic poetry and dramatic poetry, etc.

关 键 词：朱大枬 佚文 《蕙的风》论争 新诗观念 

分 类 号：I206.6[文学—中国文学]