麦丽丝蒙古族题材电影的意象研究  

A Brief Talk on the Cultural Image in the Films of Mongolian Theme

作　　者：包阿思 

机构地区：[1]东北师范大学传媒科学学院,吉林长春130117

出　　处：《内蒙古民族大学学报（社会科学版）》2017年第2期92-96,共5页Journal of Inner Mongolia Minzu University：Social Sciences

摘　　要：蒙古族导演麦丽丝执导了许多优秀的蒙古族题材影片,研究她的电影对发展少数民族题材电影有着深刻意义。"电影意象"是一种创作主体审美意识的表现,它渗透于任何一部影片。麦丽丝的许多蒙古族题材电影,都十分强调意象的使用。借助这些意象,不仅为影片标示了一个鲜明的文化印记,同时也能够帮助观众更加直观深刻地了解这些未知世界的信息,准确解读导演的意图。The films of Mongolian theme will let the tangible substance and intangible consciousness to rise artistically as a kind of cultural consciousness with Mongolian characteristics. In fact？cultural image is a kind of cultural symbols that embodies the wisdom, the history and culture of various nationalities. Be-cause of their different living environment and cultural tradition, different nationalities have their unique cultural images. The use of cultural images is emphasized in many Mongolian theme films. With the use of some cultural images,it is not only for the film to identify a distinct cultural imprint,but also for audience to understand the information of the unknown world more intuitively and deeply.

关 键 词：意象 麦丽丝 蒙古族题材电影 

分 类 号：J905[艺术—电影电视艺术]