麻扎、信仰与反现代性——论刘亮程《凿空》中的边疆乡土叙事  

On Liu Liangcheng's Borderland Local Narrative of Hollowing Out

作　　者：彭超[1] 

机构地区：[1]北京大学中文系,北京100871

出　　处：《北京社会科学》2017年第6期20-30,共11页Social Sciences of Beijing

摘　　要：刘亮程的《凿空》以地处南疆的阿不旦村为原点,从具有神圣意味的"麻扎"切入,在展现新疆日常生活的同时书写这一地区少数民族的信仰和伊斯兰文明。作品使用"凿空"作为标题,意在重新观察和探讨今日南疆的现状,勾勒出该地区所面临的经济、文化、民族认同等多方面的冲击。其有关动物的大量书写反映了阿不旦村人由现代性所引发的焦虑感及作者对现代性的深切反思。《凿空》用悠长舒缓的抒情性文字,开启诸多严肃而沉重的话题,同时也开拓出边疆乡土叙事的新领域。Starting from Mazar, Liu Liang- cheng,s Hollowing Out writes the faith of ethnic minorities in Xinjiang and Islamic civilization, showing the daily life of Xinjiang. The novel uses “ hollowing out ” as the title, intending to re-observe and explore the status of southern Xinjiang today. He takes the Abudan village of southern Xinjiang as the starting point, and sketches out the economic, cultural, national identity and other aspects of the region. In the novel, a large number of animals are written, and the villagers in Abudan respond to the anxiety caused by modernity by animal behavior, expressing the author’s deep reflection on modernity. It provides a new perspective to observe the southern Xinjiang. The text uses a long and soothing lyrical writing to open up many serious and heavy topics, to express the author’s deep reflection on modernity and to open up a new frontier of local narrative in the borderland by reversing and colliding with two different civilizations.

关 键 词：麻扎 信仰 现代性 边疆乡土叙事 

分 类 号：I207.42[文学—中国文学]