赵德发创作轨迹论  

On Zhao Defa's Creation Process

作　　者：李学良[1] 

机构地区：[1]淄博师范高等专科学校人文科学系,山东淄博255130

出　　处：《齐鲁师范学院学报》2017年第3期93-100,共8页Journal of Qilu Normal University

基　　金：山东省高校人文社科研究计划项目<当代沂蒙文学中的沂蒙文化形象研究>(编号:J11WD83)的阶段研究成果

摘　　要：截至2016年,赵德发的创作可分为四个阶段:1990年代初,他以《通腿儿》等扎根乡土之作确立起独立的审美风范,从而步入创作正轨;1990年代中后期的"农民三部曲"以新历史主义视角重新审视现实,并折射出"多元文化"的时代背景;2007年之后的"宗教三部曲"以"伦理文化重建"为主题,并折射出"伦理失范"的时代背景;2016年的《人类世》为当代文学贡献了"文化多面体"的典型与"文化新秩序"的理念,从而成为当下"文化秩序转型期"的精准写照。赵德发的创作轨迹紧密应和着1990年代以来的时代脉动,对其进行研究,有助于对赵德发及其作品的理解,有助于把握文学主题与时代的密切对应关系。Up to 2016, Zhao defa＇ s creation can be divided into four stages： In the early 1990＇ s, his works（such as tong legs etc） set up the independent aesthetic style; in mid and late 1990＇s, his ＂Farmers trilogy＂ as the magnum opus of the new historieist novels, reflected the multicultural times atmosphere; after 2007, his ＂religious trilogy＂ as the magnum opus of ＂rebuilding ethic＂ , reflected the time background of ＂ethic anomie＂; in 2016,his Anthropocene contributed the ＂Cultural polyhedron＂ and ＂culture of the new order＂ concept to contemporary literature, it became ＂accurate portrayal＂ of ＂Cultural order transition period＂ . Zhao defa＇ s creation process closely matched the era pulse since the 1990＇ s. To study it, it will contribute to understand his work, and to master the close corresponding relation between literature and the times.

关 键 词：赵德发 审美蕴藉 新历史主义 伦理文化 文化秩序转型 

分 类 号：I206.7[文学—中国文学]