中国电视文化的日常生活表征流变  

Periodic Evolution of Daily-Life Representation in Chinese TV Culture

作　　者：廖金生[1,2] 马骁[3] 

机构地区：[1]暨南大学新闻与传播学院,广东广州510632 [2]贵州民族大学传媒学院,贵州贵阳550025 [3]北京师范大学珠海分校艺术与传播学院,广东珠海519000

出　　处：《编辑之友》2017年第6期41-47,共7页Editorial Friend

摘　　要：文章阐释了中国电视文化的日常生活表征流变,认为其经历了试探/压制——"入场"/超越——发现/回归三个时期。1980年以前,在革命与政治的宏大主题下,日常生活被遮蔽与放逐,偶有"试探",也被纠错与批判;20世纪80年代精英文化时期,日常生活只是抵达更具普遍意义的"入口",是需要被提高与超越的对象,隐含着文化精英审美化、改良化的企图;20世纪90年代世俗时代以后,日常生活才真正回归现场,成为电视最重要的文化表征,日常生活剧、"新纪录片"、平民谈话节目、民生新闻等共同开启了"日常生活转向"。针对当下日常生活表征的粗鄙化倾向,要坚守精神与意义的向度,防止"另一种危机"产生。This paper interprets the periodic evolution of daily-life representation in Chinese TV culture, and believes that such representation experiences three periods, namely exploring/suppressing-entering/surpassing-finding/ returning. Before 1980, the daily-fife representation has been covered and exiled under the grand theme of revolution and politics. And the rare explorations in this field have been criticized and corrected. In the period of 1980s, the daily-fife representation only reached the entrance of Chinese TV cultural topics, which is still believed to be bettered and surpassed, and reveals the intention of amelioration from elite aesthetic. Since the period of 1990s, the daily-life representation has come to the TV screen center and become the important representation in Chinese TV culture. And ＂the daily-life turning＂ is coming with the surging of daily-life topic TV soaps, ＂new documentaries＂, talk-show programs of common civilians, news on people＇s living, etc. Currently, the daily-life representation has a trend of vulgarization, and the spirit and meaning of daily-life representation should be inherited to prevent ＂another crisis＂.

关 键 词：电视文化 日常生活 表征 流变 

分 类 号：G220[文化科学]