论刘勰对《楚辞》之探析  

An Analysis of LIU Xie's View on Chu Ci

作　　者：乔晓慧[1] 

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《洛阳理工学院学报（社会科学版）》2017年第3期57-60,共4页Journal of Luoyang Institute of Science and Technology：Social Science Edition

基　　金：2015年度河南省哲学社会科学规划项目"南朝文人生活习尚与文学发展关系研究"(编号:2015BWX036)的阶段性成果之一

摘　　要：刘勰在《文心雕龙》中多次论及《楚辞》,不仅列《辨骚》于总论,而且对其"取熔经意"的传承、"自铸伟词"的创新特点加以分析,呈现出主客观相统一的文学批评意识。刘勰认为,《楚辞》的创作固然与经典有异,但在朗丽耀艳的辞力之下,不掩其哀志伤情的雅正之理。刘勰在充分肯定《楚辞》文学源头地位的同时,针对齐梁时期讹滥的文风,提出要顺美匡恶、拯救流弊的创作本意。For many times,LIU Xie referred Chu Ci in his works The Literary Mind and The Carving of Dragons. Not only did he list Bian Sao in the pandects, but also he analyzed its heritage of ＂ absorbing the molten classic sig-nificance＂ and the innovative characteristics of ＂creating the most beautiful language＂ to show the unity of subjec-tive and objective consciousness of literary criticism. LIU Xie believed that the creation of Chu Ci was admittedly different with the classic. However, his elegant doctrine under the sad ambition and sorrowful sentiment can not be covered by gorgeous and brilliant language. With regard to the abusive style of writings in the Qi and Liang period and, while fully conforming the literature source status of Chu Ci, LIU Xie proposed the creative intention of advo-cating the beauty, eradicating the evils and critically saving the faults.

关 键 词：刘勰 楚辞观 取熔经意 卓烁异采 博徒英杰 

分 类 号：I222.3[文学—中国文学]