骈体散化:初唐诏敕文体风貌研究  

Parallel Prose Became Prosaic: Inquiry on Stylistic Features of Imperial Edicts in Early Tang Dynasty

作　　者：张超[1] Zhang Chao(College of Journalism and Communication, Henan University of Technology, Henan Zhengzhou, 450001China)

机构地区：[1]河南工业大学新闻与传播学院,河南郑州450001

出　　处：《重庆师范大学学报（哲学社会科学版）》2017年第3期22-30,共9页Journal of Chongqing Normal University Edition of Social Siences

基　　金：2015年度国家社科基金青年项目"文学视角下的唐代诏敕研究"(编号:15CZW022)阶段成果

摘　　要：初唐诏敕文是初唐时期帝王专用的具有最高政治权威的政令文体,是具有强烈的政治色彩及实用功能的"王言",有着独特的文体色彩。在文体形式上,初唐诏敕文虽然继承了六朝诏书文风的显著优点,讲究声律、辞藻、对仗等艺术形式的雕琢,但是由于受到唐朝开国之初百废待兴、昂扬开阔的时代风气的影响,以及为了更好的实现在百姓中"布告天下,咸使闻之"的政治功效,因而在文体风貌上呈现出骈体散化的发展趋势,对骈文传统体制上的一些过于拘泥僵化的形式缺点进行了变通。The imperial edicts of early Tang Dynasty which were the appropriative government decree style for emperors of that time had the highest political authority. They were emperors＇ orders which had strong political colors, practical functions, and unique stylistic colors at the same time. Although the imperial edicts of early Tang Dynasty inherited stylistic advantages from imperial edicts of the Six Dynasties, they paid attention to carving art forms, such as rhythm, rhetoric, antithesis and so on, but due to the influence of ethos in early Tang Dynasty- a thousand things waited to be done, and the social atmosphere was widely open and immeasur- able, as well as the purpose to achieve better political effect of announcing people, so the imperial edicts of early Tang Dynasty presented a trend of ＂Parallel prose became prosaic＂ on their stylistic features, they made some modifications on the prose traditional stylistic defects which were too rigid to be confirmed.

关 键 词：初唐诏敕 骈体散化 文体风貌 

分 类 号：I22[文学—中国文学]