色情文学与想象:可能性及其界限——以《金瓶梅》为例探讨苏珊·桑塔格色情文学观  

Pornographic Literature and Imagination: Possibilities and Limits——An Insight into Sontag Susan's View of Pornography with Jin Ping Mei(金瓶梅) as an Example

作　　者：田泥[1] 石佳[2] 

机构地区：[1]中国社会科学院文学研究所,北京100732 [2]中国社会科学院研究生院,北京102488

出　　处：《南阳师范学院学报》2017年第1期58-61,共4页Journal of Nanyang Normal University

摘　　要：无论在哪个民族、哪种文化中,色情作品都是艺术领域中最为敏感却又无可回避的存在。苏珊·桑塔格在《色情之想象》一文中,批判了色情作品不具备文学价值的说法,通过各种方式为现代西方的色情文学寻找立足的根基。苏珊·桑塔格有意识调整宗教、道德、世俗等对色情想象本身的贬损与定性,并做出了三个向度的讨论与重申:将色情文本纳入文学艺术视域考察;色情文本与艺术范畴的关联;色情想象与超越性的构建等。In any nation and in any culture, pornographic works are the most sensitive and most unavoidable in the field of art. In her work Pornographic Imagination, Sontag Susan on the one hand argues against the idea of porno-graphic literature having any literary v alu e, and on the other hand seeks to establish the theoretical foundation for modern Western pornographic literature through various means. Susan Sontag consciously adjusts the derogatory and qualitative description made of erotic imagination per se by religion, morality and secularity. She discusses and re-asserts the role of pornographic literature from thee dimensions, namely, subjecting pornographic text into scrutiny from the perspective of literature and art, relating pornographic text to the artistic category, and constructing erotic imagination and erotic transcendence.

关 键 词：苏珊·桑塔格 色情文学 文学观 

分 类 号：I106[文学—世界文学]