人与媒介关系的开放式命题范本:美剧《西部世界》  

An open propositional model of the relationship between man and media:American TV series Westworld

作　　者：王新鑫[1] 

机构地区：[1]华东师范大学中文系,上海200241

出　　处：《南京邮电大学学报（社会科学版）》2017年第2期39-45,108,共8页Journal of Nanjing University of Posts and Telecommunications(Social Science Edition)

摘　　要：作为一部科幻影视剧,美剧《西部世界》展现了它的巨大魅力,这种魅力不仅表现为人类参与游戏的一种满足,而且成为一个开放性的哲学讨论命题。《西部世界》是媒介和技术发展建构的"乌托邦",在人类和仿生人的"交锋"中,我们试图探索人和媒介的关系。游戏情景模式升级后,人类面临的是真实的幻象、失控的游戏、虚拟的永生,借由这些困境我们对人与媒介的关系进行分析,而所有的讨论都建立在人类永久地探索本体意识的基础上,这也是所有文学作品的叙事动力。As a science fiction play, American TV series Westwold shows its great charm, not only in the satisfaction of human beings＇ participation in games, but as an open philosophical discussion topic. Westwold is a utopia of the development of media and technology. In the u encounter＇ of man and bionic man, we try to explore the relationship between man and media. When the game scene is upgraded, man faces real illusion, out of control games and virtual eternal life. By means of these difficult positions, we analyze the relationship between human and media. And all the discussions are established on the basis of man,s permanent exploration of ontological consciousness, which is the narrative power of all literary works.

关 键 词：《西部世界》 媒介 科幻 虚拟 人工智能 

分 类 号：I106.3[文学—世界文学]