清代花部禁戏与一剧多名关系探论  

A Study of the Relationship between Theatre Prohibition and the Multi-titled Plays in Qing Dynasty

作　　者：李东东[1] 

机构地区：[1]华东师范大学思勉人文高等研究院

出　　处：《戏剧艺术》2017年第3期58-66,共9页Theatre Arts

基　　金：国家社会科学基金项目"双红堂藏清末四川唱本研究"(项目编号:14BZW075);教育部人文社科重点研究基地重大项目"清代戏曲禁毁与管理研究"(项目编号10JJDZONGHE012)阶段性成果

摘　　要：以《卖胭脂》《杀子报》《翠屏山》等花部折子戏为例,考察风情、凶杀、强梁戏愈禁愈改、愈改愈演的情况,分层讨论诲淫、凶杀、诲盗的禁毁指归与同义、别立、反寻的戏题翻新,可以把握清代禁戏视阈下花部戏曲的名目窜改、一剧多名与"禁·演"角逐的逻辑关联;而发掘"情·理"争衡与"罪·罚"儆戒的内在题旨,则可以进一步追索禁戏打压之下清代花部戏曲创演着力点变化的内在病理与心理症候。Li Dongdong Abstract： This paper uses selected scenes from Xiqu, including Selling Rouge, The Revenge on the Murder of the Son, and Cuiping Mountain, as examples to study theatre prohibition and the constant revising and staging of flirtatious, homicidal and violent plays. It holds a multi-layered discussion of the prohibition of plays that propagated pornography, murder and violence, and examines the synonymous, re-phrasing and edited titles of the plays to find the connection between the renaming of a play and the ＂prohibition-performance＂ struggle. The inherent themes of the ＂sympathy-justice＂ rivalry and the ＂crime-punishment＂ exhortation are studied, to discover the intrinsic problem and psychological symptom of changes in emphasis of the local Xiqu under the pressure of prohibition in the Qing Dynasty.

关 键 词：清代 花部禁戏 一剧多名 关系 

分 类 号：J80[艺术—戏剧戏曲]