西藏视域下的审美诉求——论宁肯的新散文  

Aesthetic Appeal from the Perspective of Tibet:Comment on Ning Ken's New Prose

作　　者：许雪姣[1] 

机构地区：[1]安徽大学文学院,合肥230039

出　　处：《合肥工业大学学报（社会科学版）》2017年第3期70-73,共4页Journal of Hefei University of Technology(Social Sciences)

摘　　要：宁肯以西藏为平台,架构起他的新散文堡垒。在他这些为数不多的作品里,由视觉和意识直接切入的在场写作是其明显特色。除此之外,经验世界的建构得益于其陌生化的语言叙述,神性和诗性并存的感觉书写则交织成宁肯新散文特有的音乐时空。Ning Ken puts Tibet as a platform and constructs his new prose fortress. In his limited num- ber of works, present writing which is directly introduced by vision and consciousness is their distinguished characteristic. Besides, the construction of experience world benefits from his unfamiliar language narrative. The feel writing of divinity and poetic quality interweaves a specific music space-time in Ning Kerfs new prose.

关 键 词：西藏 新散文 在场写作 经验世界 音乐时空 

分 类 号：I106[文学—世界文学]