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作 者:兰立亮[1]
出 处:《外文研究》2017年第1期61-65,共5页Foreign Studies
基 金:教育部人文社会科学规划项目"大江健三郎小说理论研究"(15YJA752004);中国博士后基金第53批面上项目"大江健三郎小说诗学研究"(2013M531661);河南省教育厅人文社会科学研究重点项目"德日当代作家的二战记忆与文学书写比较研究"(2015-ZD-150);河南省社科联调研课题"日本现代小说叙事流变与伦理指向研究"
摘 要:大江健三郎既是作家,又是文学理论家。其小说理论与小说创作实践一道,共同构成了作家完整的小说诗学体系。通过梳理中日两国大江健三郎小说理论的研究现状可以看出,目前两国学者对大江健三郎小说理论关注度明显不够深入,日本学者的研究大多还停留在理论介绍或书评这一浅显层面。中国学者的研究虽然出现了王琢、霍士富那样较为深入的成果,但整体看来,仍需扩大研究范围。总之,中日两国的大江健三郎小说理论研究远远落后于作家大量的理论创作这一现实。将大江小说理论放在当代世界文学、文化理论思潮中考察其对这些理论的接受和发展,并与作家丰富的小说创作实践结合起来,是今后大江健三郎小说理论研究的主要方向。Oe Kenzaburo is not only a writer,but also a literary theorist. His novel theory and novel writing practice constitute the complete system of his novel poetics. The analysis of the current situation of the theories of Oe Kenzaburo's novels in China and Japan shows that at present,the scholars of the two countries do not pay enough attention to the theory of Oe Kenzaburo's novels,and the research of Japanese scholars are mostly still in a primary stage of theoretic introduction or book review. Although Chinese scholars like Huo Shifu and Wang Zhuo have achieved more in-depth results,as a whole,the scope of research is to be deepened and extended. In short,the study on Oe Kenzaburo's novel theory in China and Japan is far behind the author's theoretical creation. Putting Oe Kenzaburo's novel theory in the contemporary world literature and culture theory to investigate the acceptance and development of these theories,and combining these theories with the writer's rich novel creation practice,is the main direction of the future research of Oe Kenzaburo's theory.
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