曲中双璧:黄峨与徐媛之比较  

Twin Pearls of Non-Dramatic Songs:the Comparison of Huang E and Xu Yuan

作　　者：王姝[1] 左芝兰[2] 

机构地区：[1]西南科技大学外国语学院,四川绵阳621000 [2]四川音乐学院戏剧影视文学系,四川成都610021

出　　处：《绵阳师范学院学报》2017年第7期100-104,共5页Journal of Mianyang Teachers＇ College

基　　金：四川省教育厅研究项目"黄峨评传"(11SA177)

摘　　要：自有明以来,女性曲家人数大增,无论是作品的数量、质量还是曲家的身份都有了很大的改观。其中黄峨和徐媛的成就和影响尤为可观,郑振铎在《插图本中国文学史》中将二者合称为明曲"双璧"。本文试图以此为纲,按图索骥,对黄峨与徐媛的作品进行比较,以辨析"曲中双璧"构成之要质。Since Ming Dynasty, the number of female non - dramatic song writers has tremendously increased, reflected not only in their works＇quality and quantity, but also in their identity. Among these female writers, Huang E and Xu Yuan are quite impressive in their achievements and influences. Zheng Zhenduo considers them as ＂ two pearls＂ of non - dramatic songs of Ming Dynasty in his A History of Chinese Literature in Illustrated Edition . This paper makes a comparation of Huang Es writings with Xu Yuans, to examine the essential qualities of ＂ twin pearls of dramatic songs＂.

关 键 词：散曲 黄峨 徐媛 双璧 

分 类 号：I207.24[文学—中国文学]