风景、记忆与身份——勒克莱齐奥笔下的“毛里求斯”  

Landscape,Memory and Identity——A Study of the “Mauritius” in the Works of J.-M.G.Le Clézio

作　　者：樊艳梅[1] 许钧[1] 

机构地区：[1]浙江大学外国语言文化与国际交流学院

出　　处：《外国文学研究》2017年第3期34-43,共10页Foreign Literature Studies

基　　金：浙江省教育厅科研项目"勒克莱齐奥‘毛里求斯系列’创作的风景叙事研究"【项目批号:Y201636090】;国家社科基金项目"勒克莱齐奥小说研究"【项目批号:11BWW049】的阶段性成果

摘　　要：在《寻金者》《隔离》与《革命》等一系列创作中,勒克莱齐奥以"毛里求斯"作为叙事的核心空间,讲述家族成员离开、寻找、回归岛屿的故事。作家将记忆与回忆作为书写岛屿的重要方式,旨在通过记忆与时间的关系隐喻岛屿与原初、身份的关系。记忆保存了岛屿,促使人物回归故园;岛屿唤醒了记忆,促使人物重新认识历史。从记忆到真实,回归者在岛屿的风景中领悟到一种生命的真相,它超越了社会、历史与文化的有限性,指向人与世界的本质关系。在与风景的融合中,人物确立了自己的归属。在他们看来,身份的确立并不是归顺于某个族群或者某种文化,而是抵达生命存在与世界之间一种可能的理解。In the works The Prospector, The Quarantine and Revolutions, Le Clezio takes ＂Mauritius＂ as the central space to tell the story about the journey of retum. The writer constructs the island mainly by the characters＇ memories. Through the relationship between memory and time, he alludes to the intimacy of the island with origin and identity. Memories reserve the island and the island in the memory pushes the characters to return, while the perceived island awakens memory and makes them recognize the history and the life. From memory to reality, the characters can understand a truth in the landscape that goes beyond the limits of society, history and culture. In the end, the characters find their identity, which, according to them, is not based on a choice of a group or a culture, but on an understanding between human existence and the world.

关 键 词：勒克莱齐奥 毛里求斯 风景 记忆 身份 

分 类 号：I565.074[文学—其他各国文学]