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作 者:王思豪[1]
机构地区:[1]江苏省社会科学院文学所,江苏南京210013
出 处:《济南大学学报(社会科学版)》2017年第4期50-56,共7页Journal of University of Jinan:Social Science Edition
基 金:国家社科基金青年项目"汉赋与<诗经>学互证研究"(项目编号:14CZW072)成果之一
摘 要:新世纪以来的赋学论文数、研究机构、研究队伍都比上世纪的最后20年空前增加与壮大。而就赋学研究的实质内容而言,也远较上世纪的最后20年精深、宏通,彰显出鲜明的学理化倾向,呈现有"汉赋学""律赋学""辞赋文化学"以及赋学理论批评系统化、赋学文献整理规模化的特征。在反思的过程中,赋学研究视野不断开拓,逐步走出文学史思维模式,回到文本,探源辨体,同时,赋体与他体文学交叉研究以及域外赋体创作研究也受到关注,但也存在"跨界"不足的问题,需要加以重视。Since 2000, the number of poem study papers,research institutions and scholars increases greatly compared with last20 years of last century. The achievements of poem study are more deeper and wider and reflect obvious theorized tendency. The study also presents characteristics as Han Fu study, regulated prose-poem study, Ci Fu culture study and systematization of poem study theoretical criticism and scale development of poem study literature arrangement. In the process of introspection, the vision of poem study enlarges more and more widely, gradually comes out of literature history thinking model, goes back to text itself and focuses on the original meaning. Meanwhile, cross-over study of Fu and other literature genre and oversea study are getting attention. However, the insufficient cross-over study need more attention.
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