中西绘画美学命题：“传神论”与“镜子说”  

Aesthetic Proposition on Chinese and Western Painting:“Theory of Mind”and “Theory of Mirror”

作　　者：魏红珊[1] 

机构地区：[1]四川省社会科学院文学与艺术研究所研究员,四川成都610071

出　　处：《中华文化论坛》2017年第6期90-97,192,共8页Journal of Chinese Culture

摘　　要：中西绘画美学围绕着"传神论"与"镜子说"等具有特征性的命题而建立。二者在形象塑造的层面上,以"传神"与"逼真"体现了中西绘画迥异的美学主张。Chinese and Western painting aesthetics revolves around the distinctive propositions such as 'theory of mind' and 'theory of mirror'. Both in the level of image shaping, 'vivid' and 'realistic' reflects the different aesthetic ideas of Chinese and Western painting.

关 键 词：中西绘画 美学命题 传神论 镜子说 

分 类 号：J205[艺术—美术]