江南文化的诗性本质与母语文学的重构和发展  

Poetical Nature of Jiangnan Culture and the Construction and Development of Mother Tongue Literature

作　　者：杨经建[1] 王蕾[1] 

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《河北学刊》2017年第4期109-113,共5页Hebei Academic Journal

基　　金：2015年度国家社会科学基金项目<20世纪中国文学的母语化进程研究>(15BZW149)

摘　　要：如果说对江南的认同在某种意义上更多地体现在文学艺术上,那么,江南文化更类似于一个"想象的共同体",正是在循环往复的文学叙事中江南文化得以逐渐定型,而表述这种"文化诗学"的便是汉语言母语。在中国现当代文学史上,一批出类拔萃的江南作家在江南文化的话语谱系中再度彰显了文学创作与母语写作之间的逻辑关系,江南文学由此而展示出一种高级、精致、唯美的母语文学形象。这意味着在中国近现代历史文化转型中,江南文化特有的诗性本质给予母语文学重构与发展提供了巨大的资源和动力。The culture identity to Jiangnan is more reflected in the literature to some extent, accordingly, Jiangnan culture appears more like an ＂imaginary community＂. It gets into shape in the circulatory litera- ture narration. And it is with Chinese native language that writers present this kind of＂culture poetics＂. In the Chinese contemporary literature history, the relation of literary creation and native language writing is further demonstrated in the utterance ancestry of quantities of outstanding Jiangnan writers. Here, Jiangnan culture shows as a splendid and delicate literary image which created by Chinese native lan- guage. This means, in the Chinese contemporary historical transformation process, poetic nature of Jiang- nan culture provides enormous reeourees and impetus for the reconstruction and development of native language literature.

关 键 词：江南文化 江南文学 母语文学 

分 类 号：I209.9[文学—中国文学]