少数民族装饰艺术发展的社会学解析  

Sociological Analytical of the Development of Ethnic Decorative Art

作　　者：郑冬冬[1] 

机构地区：[1]平顶山学院艺术设计学院,河南平顶山467000

出　　处：《贵州民族研究》2017年第5期81-84,共4页Guizhou Ethnic Studies

基　　金：河南省软科学计划项目(课题编号:122400450026)

摘　　要：装饰艺术对绘画与雕塑工艺的依附,使其研究脉络一直循着美学形式的发展方向推进,直到20世纪初西方社会学派第一次将装饰艺术与社会运行机制联系在一起,促使人们不再仅仅专注于形而上的审美理想。虽然我国少数民族装饰艺术的发展历史悠久,但将其作为社会组成部分来把握与反思"社会人"的公共动机、情绪行为、消费心理等研究体例却极为少见。在此,立足于西方社会学理论体系,论述了少数民族装饰艺术的功能性发展、情感性发展以及逻辑性发展进程,探讨了社会内在机制对人们美感知觉的唤醒,提出了少数民族装饰艺术跨越保守人文关怀局限,实现人与社会审美关系平衡的发展畅想。Decorative art of painting and sculpture craft attached to the thread has fallowed the development direction ofthe aesthetic form, school for the first time until the early twentieth century. Western society will make decorative artsassociated with social operation mechanism, encouraging people no longer, just focused on metaphysical aesthetic ideal.Although the development of Chinese ethnic minorities decoration art has a long history, but, as a social component to graspand reflection on ＂social people＂ public motivation, mood, behavior and consumer psychology, this study style is extremelyrare, and is based on western sociological theory system. This paper discusses the functional development of minority artdecoration, emotional development and logical development process, the social mechanism of people＇s aesthetic consciousnessawakens, and puts forward the minority art deco, cross conservative humanistic limited care, the balanced development ofrelations between the people and the social aesthetic imagination.

关 键 词：少数民族 装饰艺术 中介机制 无调性消费 社会学 

分 类 号：J525[艺术—艺术设计]