民族文化舞台化传承的真实性和有效性思考——以云南民族地区旅游开发中的音乐表演为例  

On the Authenticity and Validity of the Stage of National Culture:Taking the Music Performance in the Tourism Development of Yunnan Minority Areas as an Example

作　　者：秦北涛[1] 

机构地区：[1]绵阳师范学院,四川绵阳621000

出　　处：《贵州民族研究》2017年第5期89-92,共4页Guizhou Ethnic Studies

摘　　要：民族旅游开发中的舞台表演是民族文化传承的重要方式,但是由于旅游经济利益驱使及从业者意识素质所限,舞台表演中出现的文化趋同化和庸俗化倾向损害了民族文化的原生态特质,同时单一化和雷同化的表演形式影响了文化传承的有效性。文化传承导向下,借助民族旅游开发的文化舞台表演需要通过增强文化保护意识和加强舞台表演监管以保障文化传承的真实性,需要基于创新增加文化舞台表演的魅力以保障文化传承的有效性。in the ethnic tourism development stage is an important way for the national cultural heritage tourism, butdue to economic interests and practitioners consciousness quality limits, stage performances appear in the culture assimilationand the vulgar tendency of damaging the ecological characteristics of national culture, performing a single form of ray and atthe same time affect the assimilation cultural heritage. Under the guidance of cultural heritage, with the development ofnational tourism culture stage needs to enhance awareness of cultural protection and strengthen stage supervision to guaranteethe authenticity of cultural heritage, innovation stage increased cultural charm in order to ensure the effectiveness of CulturalHeritage Based on.

关 键 词：民族旅游开发 舞台表演 文化传承 云南音乐 真实性 有效性 

分 类 号：J604.6[艺术—音乐]