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出 处:《贵州民族研究》2017年第5期132-135,共4页Guizhou Ethnic Studies
基 金:2016年国家社会科学基金项目"城镇化进程中地方戏曲的现代样态和传承策略研究--以湖南花鼓戏为例"(编号:15BB015)的阶段性成果
摘 要:城镇化加速了民族传统社会场景解构,为民族戏曲的生存发展带来了严峻挑战,面对完全陌生的城镇化境遇,少数民族戏曲必须要因时而变,形成和城镇化环境相一致的生存模式。城镇化建设中的文化品牌建构、文化产业发展、文化服务提供都是民族戏曲生存发展的机遇,少数民族戏曲可以基于以上机遇在城镇化进程中发掘新的文化需求,找准角色定位,在扎根传统戏曲文化特色的基础上,灵活转变,以需求带动传承,形成新的生存发展实践模式,同时也要注意戏曲的理论发展推进,以实践的理论,促成民族戏曲在城镇化进程中的繁荣发展。The urbanization accelerated the traditional social scene of deconstruction, posing a serious challenge to thesurvival and development of Chinese urbanization, facing the situation is completely unfamiliar, minority drama must bechanged from time to time, consistent with the formation of urbanization and environmental survival mode. The construction ofurbanization, the cultural brand of cultural industry development and cultural services are national opera survival anddevelopment opportunities, minority drama can be based on the above opportunities to explore new cultural needs in theprocess of urbanization, identify the role change, flexible rooted in traditional opera culture features based on the demanddriven, with inheritance. The formation of a new practice mode of survival and development, but also pay attention topromote the development of opera theory, theory and practice and complement each other, to facilitate national operaprosperity in the process of development in the town.
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