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作 者:李苗苗[1]
出 处:《绵阳师范学院学报》2017年第6期151-155,共5页Journal of Mianyang Teachers' College
摘 要:柳永与李清照同系一派婉约词宗,两人以婉约、细腻、曲尽人意的创作方式留下无数脍炙人口的文学作品。女性写作题材也是两人的杰出词作之一。但由于他们各自的性别、性格气质差异以及生活在不同的社会历史时期与不同的人生经历,两人在女性词创作上呈现出许多的差异。柳词多写生活在市井的歌儿舞女,词对女性世界表现广泛;李词则多写自身的经历历程,词的创作便局限在了她自身个人的视角范围,形成犹如自传形式的词作。本文将两者在女性写作方面进行比较论述,以便更全面地理解两位词人的文学创作,更深入地认识女性思想意识在二人词作中的萌芽。Liu Yong and Li Qingzhaoare of the same school of "Wanyue" (graceful and restrained Ci ) , and are noted for their grace, gendeness and penetration in their respectivenumerous literature, especially in their po-ems of Ci about woman. But the two poets show great difference in the creation of Ci, due to their discrepancy in sex,personal characters,historical period and personal experience. In their poems of Ci, Liu describes social danc-ers to reveal a huge wold of woman, while Li narrates her personal experience to show her ups and downs in an au-tobiographic view. This paper poets and makes a comparative study on the two poets and their writing of Ci on woman to have a further look at their writing techniques and the origin of womans self awareness in the hierarchical feudal society.
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